It was supposed to be, says the writer Louise Doughty, a feminist indictment of the criminal justice system and of how women are still judged on their sexual conduct in a way that men aren’t. Instead – of course – it has become about the sex. Hot middle-aged sex. A middle-aged woman having hot middle‑aged sex with someone who is not her husband. The TV adaptation of Doughty’s novel Apple Tree Yard began last Sunday, with Emily Watson playing Yvonne Carmichael, a successful geneticist – plus wife and mother to grown-up children – who finds herself with a handsome stranger in a broom cupboard, deep beneath the House of Commons, where she has just been giving evidence before a select committee.
The Observer called it “groundbreaking”, the Spectator noted that midlife crisis novels were “traditionally a male form”. Doughty finds the fuss a bit bewildering. “I honestly didn’t believe I was doing anything that radical when I wrote the book,” she says. “In retrospect, it makes me sound really naive, but as a middle-aged woman who occasionally has sex, I really didn’t think it was big news, and neither did it feel like big news to any of my friends the same age.”
We have seen endless depictions of the male midlife crisis, but very few where a woman derails her previously comfortable life. “I think it’s nonsense that the midlife crisis is the preserve of men,” says Doughty. “I think there are lots of reasons why it doesn’t get talked about so openly by women. I think a lot of women prioritise protecting their families in a way that men maybe don’t. And also, for middle-aged women, it’s very common to still have a huge amount of caring duties. Even if your children are teenage, that doesn’t mean you haven’t still got a lot to do. Quite often you might also have elderly parents.”
So, it seems that there isn’t much time for the indulgence of a midlife crisis, regardless of whether it includes an affair or not. Perhaps women’s midlife crises happen more internally? “I think they do,” says Doughty. “I think they happen externally as well, but I think quite often for women there is a crisis of identity in a more internal way.”
Doughty also points to the changing roles of mothers, as their children grow up.“Once that self-identification starts to fall away, you can end up reassessing who you are and what you want,” she says. “I think that back in the days when women were more likely to be full-time housewives and mothers, once that role had ended there was a sense of the nest being empty. I think one of the bonuses of keeping your career going throughout child-rearing is that you still have something there.
“I wouldn’t want to over-emphasise a crisis of confidence, I think actually a lot of women my age are more confident than we’ve ever been. If you asked me to swap my 53-year-old self with my 23-year-old self, I would tell you to take a running jump. I’m so much happier now. There’s a line very early on in the book where Yvonne says, ‘Self-awareness, it’s our consolation prize,’ and that was very personal to me – I love knowing who I am and what I want. I think it’s something society forgets in its obsessive portrayal of young women as attractive. What you actually know, if you’ve been a young woman yourself, is that often behind the physical attractiveness lies a huge amount of insecurity and worry.”
Although the modern idea of a particular kind of middle-age malaise goes back to Freud and Jung, the term “midlife crisis” was coined in a 1965 paper by Elliot Jaques, a Canadian psychoanalyst, who described how people entering middle age are confronted with the limitations of their life and their own mortality. Middle age, writes the journalist Miranda Sawyer in Out of Time, her book about making peace with her own age, is full of “money problems, of work responsibilities and looming insecurities, of boredom and frustration and a lack of self-realisation, of caring for those younger and older than ourselves, of diminishing fitness, energy and relevance”. Divorce rates are highest among men aged 45 to 49, and for women between 40 and 44. The highest rate of suicide is among men aged 45 to 49. While suicide is less common in women, the age range at which it peaks is 50 to 54. The midlife crisis has become a joke, Sawyer writes, but it “is only easy and wink-wink-hilarious to those who are not in middle age”.
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